Μοῦσαι

What I like:
Art / Kunst
Humor / Funny Stuff
Philosophy
Peter Sloterdijk
Bazon Brock (My Avatar)
Gunnar Heinsohn
Heiner Mühlmann
Hilary Hahn
Rainald Grebe
Giorgio Armani
Karl Lagerfeld
Vogue
Düsseldorf (My Hometown)
Paris
Mailand
Valentine Laroche (Μοῦσα)
Nude photography
-Helmut Newton / Vanessa Beecroft
-Bettina Rheims / Spencer Tunick
-Andrea Gursky / Jürgen Teller
-David Hamilton (photographer)
-Peter Lindbergh (photographer)

last.fm http://www.lastfm.de/user/Dijkki10

What I don't like:
Racists
Homophobes
Child abusers
Drunk Drivers
Religious Extremists

Buero Gelb: Ästhetik-Professor Bazon Brock Outtakes

7 months ago

Stefan Balkenhol in Sankt Elisabeth (contemporary sculpture exhibition)


9 months ago

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Heiner Mühlmann  
Countdown
3 Kunstgenerationen
9 months ago

1

Prof. Dr. Heiner Mühlmann, Kulturtheoretiker, Professor für Rhetorik.
1 note | 9 months ago

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Gregor Schneider
10 months ago

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„Peter Sloterdijk vor der heiligen Inquisition des Trivialgeschmacks“
10 months ago

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“Dankgeben ist leichter als Danknehmen”

Peter Sloterdijk gratuliert Bazon Brock zu seinem siebzigsten Geburtstag (2006)
11 months ago

2

Bazon Brock: Zeig dein Liebstes gut! Zeig dein liebstes Gut!
2 notes | 11 months ago

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Peter Sloterdijk; born June 26, 1947 in Karlsruhe) is a German philosopher, television host, cultural scientist and essayist. He is a professor of philosophy and media theory at theUniversity of Art and Design Karlsruhe. He currently co-hosts the German show Im Glashaus: Das Philosophische Quartett.

Sloterdijk also argues that the current concept of globalization lacks historical perspective. In his view it is merely the third wave in a process of overcoming distances (the first wave being the metaphysical globalization of the Greek cosmology and the second the nautical globalization of the 15th century). The difference for Sloterdijk is that, while the second wave created cosmopolitanism, the third is creating a global provincialism. Sloterdijk’s sketch of a philosophical history of globalization can be found in Im Weltinnenraum des Kapitals (2005), subtitled “Die letzte Kugel” (“The final sphere”).

In his Zorn und Zeit (translated as Rage and Time), Sloterdijk characterizes the emotion of rage as a psychopolitical force throughout human history. The political aspects are especially pronounced in the Western tradition, beginning with the opening words of Homer’sIliad, “Of the rage of Achilles, son of Peleus, sing Goddess…”. Sloterdijk acknowledges the contributions of psychoanalysis for our understanding of strong emotional attitudes: “In conformity with its basic erotodynamic approach, psychoanalysis brought much hatred to light, the other side of life.” (Rage and Time, p. 14) Importantly, for Sloterdijk, Judeo-Christian conceptions of God ultimately “piggyback” on the feelings of rage and resentment, creating “metaphysical revenge banks”. For Sloterdijk, “God thus becomes the location of a transcendent repository of suspended human rage-savings and frozen plans of revenge.” 
11 months ago

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Bazon Brock
“Ästhetischer Genuß ist objektivierter Selbstgenuß” - das heißt; jede Wirkung, vor allem die der von Künstlern gestalteten Wahrnehmungsangebote wie Bilder oder Skulpturen, realisiert sich als Selbstwahrnehmung des Betrachters.” (Bazon Brock)
11 months ago

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Bazon Brock

http://www.bazonbrock.de/

“Nichts ist für Künstler peinigender als Elogen auf ihre Könnerschaft durch wohlmeinende Liebhaber, deren Bewunderungsjauchzer dümmer sind als jede begründete Ablehnung” (Bazon Brock)
12 months ago